Download Why Comics?: From Underground to Everywhere
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Why Comics?: From Underground to Everywhere
Download Why Comics?: From Underground to Everywhere
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Review
“[Chute] has been leading the charge with some of the most sophisticated comics criticism to date… From Chute’s spectacular close readings it becomes clear that comics is, unquestionably, literature.” (Times Literary Supplement)“Now that Art Spiegelman’s Maus and Alison Bechdel’s Fun Home have found both commercial and critical success, at last there is a brilliant investigation into the unique powers of the medium.” (National Book Review)“Why Comics? is a must-read, filling in a significant portion of the vast jigsaw puzzle of understanding comics.” (Comics Journal)“Why Comics? is a riveting compendium of history, humor, politics, punk, sex, violence, and the occasional superhero. Hillary Chute has given us the stories behind some of the most subversive literature of our time. You want to read this book.” (Lauren Redniss, MacArthur Fellow and Author of Radioactive and Thunder & Lightning)“Hillary Chute is the scholar comics has been waiting for—passionate, eloquent, encyclopedically knowledgeable, and profoundly in sync with the medium.” (Lev Grossman, New York Times bestselling author of The Magicians)“In her wonderful book, Hillary L. Chute suggests that we’re in a blooming, expanding era of the art… Chute’s often lovely, sensitive discussions of individual expression in independent comics seem so right and true.” (New York Times Book Review)“Anyone seeking a persuasive and perceptive entryway to the world of comics need look no further.” (Publishers Weekly)“Chute elevates comics to literature when dissecting panels, text, and drawing techniques in the more than 100 reprints within the book.” (Library Journal (starred review))“As charmingly illustrated and approachable as the works it considers.” (Chicago Tribune)“9.5 out of 10” (Comic Book Bin)
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From the Back Cover
Filled with beautiful full-color art, dynamic storytelling, and insightful analysis, Hillary Chute’s Why Comics? reveals what makes one of the most critically acclaimed and popular art forms unique and so appealing, and how it got that way.Over the past century, fans have elevated comics from the back pages of newspapers into one of our most celebrated forms of culture, from Fun Home, the Tony Award–winning musical based on Alison Bechdel’s groundbreaking graphic memoir, to the dozens of superhero films that are annual blockbusters worldwide. What is the essence of comics’ appeal? What does this art form do that others can’t? Whether you’ve read every comic you can get your hands on or you’re just starting your journey, Why Comics? has something for you. Author Hillary Chute chronicles comics culture, explaining underground comics (also known as “comix”) and graphic novels, analyzing their evolution, and offering fascinating portraits of the creative men and women behind them. Chute reveals why these works—a blend of concise words and striking visuals—are an extraordinarily powerful form of expression that stimulates us intellectually and emotionally.Focusing on ten major themes—disaster, superheroes, sex, the suburbs, cities, punk, illness and disability, girls, war, and queerness—Chute explains how comics gets its messages across more effectively than any other form. “Why Disaster?” explores how comics are uniquely suited to convey the scale and disorientation of calamity, from Art Spiegelman’s representation of the Holocaust and 9/11 to Keiji Nakazawa’s focus on Hiroshima. “Why the Suburbs?” examines how the work of Chris Ware and Charles Burns illustrates the quiet joys and struggles of suburban existence; and “Why Punk?” delves into how comics inspire and reflect the punk movement’s DIY aesthetics—giving birth to a democratic medium increasingly embraced by some of today’s most significant artists.Featuring full-color reproductions of more than one hundred essential pages and panels, including some famous but never-before-reprinted images from comics legends, Why Comics? is an indispensable guide that offers a deep understanding of this influential art form and its masters.
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Product details
Paperback: 464 pages
Publisher: Harper Perennial; Reprint edition (December 15, 2019)
Language: English
ISBN-10: 0062697234
ISBN-13: 978-0062697233
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#4,371,835 in Books (See Top 100 in Books)
Buy this book!Hillary Chute has written the best single volume overview of contemporary comic art in America today. Period. There is nothing even approaching it and it will certainly be the one to beat for any serious writer going forward. Thank you, Ms. Chute.An academic who can write lively, readable prose? I thought that breed was extinct. The design and production values of this book are also outstanding! Kudos to William Ruoto. Every page is gloss stock and the reproductions all look wonderful. This book is so heavy that you can use it to beat any non-comics fan into submission.Oh, you might quibble with some of her judgements. As a graphic designer I'm not sure this one holds up: the logo for the band Black Flag is "...one of the most important logos in history..." I don't think it even rates in the top 100 'most important' logos of all time. But I admire her enthusiasm and scholarship.
Great book and great service!!
Great gift!
Ordered this for my husband. He loved it.
American comics studies scholars have, throughout the past few decades, written much to try and legitimize their chosen field of research. Through the use of historical details and close readings of textual sources, they have made a significant case for the respectability of comics and should be applauded for their efforts. And Chute's book is no different.Her question, why comics? (both a question and an overworked tension), is neatly discussed in chapters discussing comics through eleven thematic/stylistic/content registers. What sets this book apart is the close working relationships with comics producers that she has gained throughout her career in comics studies and provide the material with quotes and an insider's view other studies are (somewhat) lacking. There are some quotes readers will only find in this text, I imagine (or may also be found in her _Outside the Box_?). Some chapters are essential for her close readings, as well: Why Sex?, Why Fans?, Why Girls?, for example; while others are less so: Why Disaster?, Why Superheroes, Why War? are trips down memory lane for readers with a background in the field. All in all, this book feels like an update to Wolk's _Reading Comics_, Beaty's _Comics versus Art_, and (in a way) Pizzino's _Arresting Developments_.Chute has the credibility and the rhetorical skills to produce a text of this kind, and it is very much worth reading, especially if this is the first book you have read on the subject....if that is the case, bump the score to five stars. But one hopes that this will be the final word on this theme. Comics studies would be better served by moving to more productive areas of scholarship (which Chute is no stranger to, either).
Hillary Chute seeks to convince lay-readers on the literary virtues of comics, graphic novels, et al., but attempts to do so with over 450 pages of exacting, pedantic prose.It didn't take long for this reader to become exasperated and bored with such a mess. And by the way, I am someone who read a LOT of comic books in his youth, unlike Ms. Chute who confessed in an interview that she hardly ever read them while while growing up. In fact, I still have many of my Silver Age super-hero mags, as well as copies of several noted underground comix released in the late sixties and early seventies.
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